One suggestive bracket for the project and very close ot the idea of the interview which guided Żmijewski in the realisation of this cycle, is Truth Serum. Althamer is asked a series of question while under sodium pentothal. Żmijewski begins with the usual prosaic issues: Where do you live? How many children do you have? (...) And at the end, a question about art: 'What is the significance of the fact that you make sculpture, dolls, films?' 'It gives me joy,' replies Althamer. 'I like when people laugh.'
- in: Artur Żmijewski. If it happened only once it's as if it never happened. (my bold)
Lisbon and Berlin are, currently, comparable places of creation and experimentation: there, artists seem more free to explore the limits of their undertakings [plus libres d'aller jusqu'au bout de leur propos].
- Léa Lescure, in: Mouvement, #44, July-Sept. 2007
And if you really need a connection, here is a quote and a song (uhmmm... press play):
“A new born child has no teeth.”—“A goose has no teeth.”—“A rose has no teeth.”—This last at any rate—one would like to say—is obviously true! It is even surer than that a goose has none.—And yet it is none so clear. For where should a rose’s teeth have been? The goose has none in its jaw. And neither, of course, has it any in its wings; but no one means that when he says it has no teeth.—Why, suppose one were to say: the cow chews its food and then dungs the rose with it, so the rose has teeth in the mouth of a beast. This would not be absurd, because one has no notion in advance where to look for teeth in a rose. ((connexion with ‘pain in someone else’s body’.))
L. Wittgenstein, Philosophical Investigations (for a simple analysis followed by a ridiculously complicated statement, see here, and for a note on Bruce Nauman's work inspired by this quote see here)
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